Zeitgenössische Oper Berlin

24th October 24, 2004, Komische Oper Berlin

Don Quixote

theatrical adventures
Music by Hans Zender (*1936)

Text by the composer based on Cervantes‘ novel of the same title

First performance: 1993, Stuttgart

 

Musical Director
Stage Director
Set Design

Don Quichote, heroic baritone
Sancho Panza, tenor

Niece, high soprano
Neighbour, mezzo soprano

Housekeeper, low alto
Barbier 1, tenor
Cardenio, lyrical tenor

Administrator, baritone
Lector, bass baritone
Don Fernando, Italian baritone

Clergyman, bass

 

Rüdiger Bohn
Sabrina Hölzer
Mirella Weingarten

Tom Sol
Mark Bowman-Hester
Ksenija Lukic
Franziska Gottwald
Maria Kowollik
Patrick Busert
Lothar Odinius
Jonathan de la Paz Zaens
Christoph Kögel
Gavin Taylor
Nicholas Isherwood

Orchestra of the Komische Oper Berlin

After the country squire had given himself the proud name Don Quijote de la Mancha, and to his horse the name Rosinante, he realized that he now had to look for a lady with whom he could fall in love, for a travelling knight without love would be like a tree without leaves and fruit, a body without a soul. And he named the lady of his heart Dulcinea de Toboso, and to find her he audaciously rode out onto the open fields…“ Cervantes

Hans Zender, composer of numerous works of music theater, conductor and author of the legendary book „Happy New Ears“, by taking on the subject of the world famous novel „The life and deeds of the sagacious nobleman Don Quijote de la Mancha“ has chosen a genre which rarely enters contempo-rary opera literature: the comedy.

With an orchestra of 19 instruments and 11 singers in 39 changing roles he gives the story of a knightly dream world a staging which seduces by its unusual concept: He fashions the story around the noble knight in five different levels of perception, namely singing, speech, instrument music, picture and acting. Thereby each one of the 31 adventures of the knight of dreams is experienced in a different combination of these elements. The diversity of this technique of scenic combination takes the listener away from the certainty of the traditional scenic experience and provides him with a new openness in observation.

Coproduction with the Komische Oper Berlin – supported by the Hauptstadtkulturfonds of the Federal Republic of Germany and the Berlin Senate Department for Science, Research and Culture

publisher: Breitkopf & Härtel

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2004